![]() Psychflix. com. M FOR MOTHER (Mim mesle madar; Mi like Mother) (Rasool Mollagholipoor, Iran, 2. THEMES: IN IRAN, MATTERS SUCH AS PTSD, ILLEGAL ABORTION; DISCRIMINATION AGAINST DISABLED CHILDREN; DIVORCE; ADULT DRUG DEPENDENCE, AND MORE. Reputed to be one of the most popular films in the history of Iranian cinema, M for Mother is an odd blend of intriguing, boldly explored themes embodied in a vehicle that is pure, over- the- top cornball melodramatic schmaltz. Set in Tehran, probably in the 1. According to a 2013 Yale study, when facts seem to contradict your political opinions, your brain will work so hard to protect your beliefs that you’ll do worse at. When it comes to home voice assistants, there’s no denying that the bulk of their usage comes in the kitchen for setting timers and playing audio. Google’s taking. Nuts and Seeds Food Lists. Food Lists - The Blood Type Diet (Trademark of Peter J. D'Adamo, ND) Food lists are based on the work of Peter J. D'Adamo, ND. The Promise. Could eating a diet based on your blood type-- O, A, B, or AB -- help you trim down and get healthier? That's the idea behind the Blood Type Diet. I doubt this solution will work for everyone, but it worked for me, and what turned out to be causing my Chronic Idiopathic Urticaria was such an ubiquitous food. Iraq- Iran War, including flashbacks and suicidal impulses; the long range effects of Iraq’s use of chemical weapons in that war; and the sabotage of a woman’s musical career by her husband. Quite a list. How did the infamous Iranian film censors let all of that get by? The gorgeous young actress Golshifteh Farahani, member of a family that is prominent in Iranian film and theater, plays Sepideh, the central character, who refuses abortion in order to bring her almost surely deformed child into the world. The supporting cast are all able players, including Hosein Yari (Sepideh’s husband), Mohammad- Ali Shadman (their son), Jamshid Hashempur (Sepideh’s brother), and Sahar Dolatshahi (her sister- in- law). Grade: low B+ (0. Add : In the print I saw, the subtitle for the film's name is Mi Like Mother, which fits better, since it has to do with a woman coaching her son to hit the right notes on his violin. The film's director, Rasool Mollagholipoor, died of a heart attack at age 5. MA VIE EN ROSE (Alain Berliner, Belgium, 1. Everyone in the stuffy neighborhood appears to be scandalized by the boy’s behavior. THEMES: EFFECTS OF SUICIDE ON SURVIVORS; BEREAVEMENT & LOSS. The pain of losing him is all the worse for touching a nerve in her made raw from childhood memories of her grandmother leaving to return to her native village to die. ![]() Blood Type Diet Food List For B+ Tree In DbmsLeft with a 3 month old son to raise, she ultimately remarries a widower with a young daughter living in a remote fishing village along a wild coast. She is obviously happy with him though more burdened by her past after returning to her hometown for a visit. The photography deserves special comment. In each scene the camera is stationary, in the style of Robert Bresson, and the action develops slowly, subtly. The scene is often held for a long time. The camera never moves. Each scene is independent. Once it fades, there is no return. No intercuts. No closeups. The result is to induce in the viewer a highly contemplative attitude. Mangoes are one of the best choices to satisfy a sweet tooth while improving your overall diet and not weighing you down. A cup of fresh mango has 100. O Positive Blood. O positive blood is a commonly found blood group type, in individuals across the globe. O blood group is a universal donor and can be given to. BLOOD TYPE DIET VALUES Follow Secretor value if you do not know your secretor status. BLOOD TYPE A. Blood Type Diet Food List For B+ Tree SimulatorRemarkable achievement. THEMES: PSYCHOTIC DEPRESSION; DISSOCIATIVE DISORDER; PARANOID STATES; PSYCHOLOGICAL TOLL OF SEVERE GUILT. Trevor Reznik (Christian Bale) is seriously unwell. He says he hasn’t slept in a year and his weight keeps on plummeting: he’s starting to look like a Nazi camp survivor at the end of WW II. Odd things seem to be happening to him: he thinks there’s a plot to frighten or possibly harm him. He encounters a man, Ivan (John Sharian) who later seems not to have existed at all. ![]() ![]() Someone keeps slipping into his apartment when he’s out, leaving cryptic post- its on his refrigerator. It also appears, in the film’s opening scenes, as if Trevor might have killed someone in his apartment during a struggle: we see him, face freshly bruised, in the night rolling the body, wrapped in a carpet, into the river. Trevor works in a machine shop. He used to get along OK with his fellow workers, though he was never one to go out for drinks and cards with the others after work. In recent months he’s become withdrawn and unsociable, even in the locker room. When another man loses an arm, mangled in a machine when Trevor, preoccupied, mistakenly turns on a switch, the others turn against him, and finally he’s fired after flying into a rage at his supervisor. He only seems at peace in the company of women. There’s Stevie (Jennifer Jason Leigh), a prostitute who’s actually quite taken with him. And Marie (Aitana Sanchez- Gijon), a night waitress in a coffee shop near the airport, where Trevor passes sleepless hours visiting with her over his coffee and pie nearly every night. With each of these women, he reveals a calmer, more tender side, even though he is so emaciated. He spends Mother’s Day with Marie and her young son at an amusement park, where he snaps a photo of them that triggers a d. Other odd twists and coincidences pile up as tension builds in this taut thriller. Indeed, my only real criticism of the film is that there are so many little things piling up, more than we need, gratuitous stuff that gets a bit too noisy for me. Screenwriter Scott Kosar just couldn’t contain himself, I guess. Trevor’s fear and agitation mount. We begin to wonder what is real and what is hallucinatory or illusion for him. The music effectively augments the sense of foreboding and danger. Composed by Roque Ba. There is also unusually haunting photography, by Xari Gimenez and Charlie Jimenez. Although it is filmed in color, the colors are leached thin, giving an effect more like old fashioned tinting of black and white material. And many, many scenes are darkly lit and seem to be rendered in varying tones of gunmetal blue- gray. This coloration reminded me of the visual treatment in the recent Russian suspense story,The Return. In mood, the film also evoked the apprehension I felt in The Return, and in Darren Aronofsky’s film, Pi. It is clear that Trevor is in the grips of a severe psychiatric illness, but it is not one easily classifiable in conventional diagnostic terms. Part of this is simply attributable to artistic license: there’s no compelling reason why screenwriters must follow DSM- IV, after all, even though I sure do wish they would. There are strong elements to suggest psychotic depression here (extreme weight loss and insomnia, guilt feelings, irritability, agitation, probable hallucinations, possible paranoid delusions). Incompatible with this degree of depression, though, are the facts that Trevor manages to get to get to work every day and acts quite normally with women, mustering some libido on occasion as well as charm. Even then, not all of his symptoms can be explained by the diagnosis of psychotic depression. In time certain information is revealed that lets us know there are probably dissociative elements to the illness, including, among others, clearly etched visual hallucinations (not common in psychotic depression). Ultimately we also learn that there was a very specific precipitating event for Trevor’s illness, one quite consistent with both severe depression and dissociative states, but I will not reveal that here. Could he have an anorexia nervosa- like eating disorder? Wilfully reducing his food intake while pushing himself to sustain normal physical activity? The incongruity between his extreme weight loss and normal physical motility hints at such a thing, as well as his obsessive attention to recording his daily weight in a series of post- its on the bathroom wall (going down, down, down). The film is nearly an all- Spanish production, except for it’s director, writer and several lead actors, but it is spoken entirely in English. Bale gives an astonishing performance. I refer not only to his physical preparation for the role (he lost 6. Only Ralph Fiennes comes to mind as someone else who could have played Trevor as well. I’m thinking of Fiennes in Spider here. Like that film, Machinist is not likely to appeal to everyone’s tastes. But it’s undeniably an intriguing psychflick. Grade: B+ (1. 1/0. MAGNOLIA (Paul Thomas Anderson, US ,1. Here's the mother of all psychodramas. Watching this film is nothing if not an ordeal, and that may be exactly how writer/director Anderson (Hard Eight, Boogie Nights) intends it to be. For one thing, many of the scenes involve intense emotional outpourings; someone always seems to be falling apart or close to it. There is a relentless underlying tone of agitation: everyone's impatient, in a hurry, and irritable to boot, on the edge of exploding when not actually doing so. Then there's the music, often very loud, drowning out conversation. It is also a kaleidoscopic tale, full of multiple characters whose actions intersect and intercut back and forth, Robert Altman style, until it makes your head swim at times. And it all goes on like this for 3 hours. And it is about regret for such behavior. TV mogul Earl Partridge (Jason Robards) is dying of cancer and rues on his deathbed the way he walked out years ago on his dying first wife, leaving her to be cared for by their 1. Jack, who grows up to be the slick and dirty talking media guru Frank T. Mackey (Tom Cruise), star of . Earl's present spouse Linda (Julianne Moore) is awash in grief over losing him and also because of her past affairs. Jimmy Gator (Philip Baker Hall) is emcee of a long running TV quiz show who learns he only has 2 months to live because of his cancer. Stricken with guilt for his past pecadillos, he tries, too bluntly, to make amends with his wife and estranged daughter, to no avail. Donnie Smith (William H. Macy) slathers in self- pity because he peaked too early, as a quiz kid years ago on Gator's TV show, and has never been able to live up to that pinnacle of childhood celebrity. And that's only the half of it. But there is little sense of narrative, and insufficient character development. How could there be, since the film spans the actions of these people for about one day? For quite awhile this quick cut, cross sectional view of the characters, frenzied with emotion, is difficult to empathize with: we don't know these people well enough to understand their pain, even as we feel it. But in the last hour of the film their pasts are made sufficiently known to us to alter that. This theme is introduced after an apocalyptic torrential rain of giant frogs levels the playing field for everyone still left standing by that point. The film begins with another theme: the occurrence of three extraordinary coincidences, three presumably historical events that have nothing to do with later circumstances in the film.
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